What Was Dead Now Lives Again Song

1989 single by Pandora's Box, later covered by Celine Dion

"It'due south All Coming Back to Me At present" is a power ballad written past Jim Steinman.[1] Co-ordinate to Steinman, the song was inspired by Wuthering Heights, and was an try to write "the most passionate, romantic vocal" he could ever create.[2] The Dominicus Times posits that "Steinman protects his songs as if they were his children". Meat Loaf had wanted to record the song for years, but Steinman saw it as a "woman's song". Steinman won a court motion preventing Meat Loaf from recording it.[three] Girl group Pandora'south Box went on to record it and information technology was subsequently made famous through a cover by Celine Dion, which upset Meat Loaf considering he was going to use information technology for a planned album with the working title Bat Out of Hell III.[four] Alternately, Meat Loaf has said the song was intended for Bat Out of Hell II and given to the vocaliser in 1986, merely that they both decided to use "I'd Exercise Anything for Beloved (Simply I Won't Practise That)" for Bat 2, and relieve this song for Bat III.[iv] [v]

The song has had three major releases. The get-go version appeared on the concept album Original Sin, recorded by Pandora's Box. Information technology was then recorded by Celine Dion for her album Falling into Yous, and her version was a commercial hit, reaching No. 2 in the U.S. Billboard Hot 100 (backside Los del Río'south "Macarena" and Blackstreet'southward "No Diggity") and No. iii in the UK Singles Chart. Meat Loaf eventually recorded it as a duet with Norwegian singer Marion Raven for Bat Iii and released it as a single in 2006. This version reached No. 1 in Kingdom of norway and No. 2 in Scotland.

A music video was produced for each of the three versions; death is a recurring theme in all of these videos, fitting in with the suggestion in Virgin Records' press release for Original Sin that "in Steinman'south songs, the dead come to life and the living are doomed to die".[6] This is especially axiomatic when the expressionless characters seem to be resurrected in the memories of the chief vocalist—although in the case of Celine Dion's video, the theme is less about the living being doomed and more most a lost beloved.

Inspiration [edit]

Influenced by Emily Brontë's novel Wuthering Heights, Steinman compared the song to 'Heathcliff excavation upwards Cathy's corpse and dancing with information technology in the cold moonlight', a scene which does not exist in the novel.[ii] In this conceptualization, which Steinman imagines having been censored from the volume, the strength of Heathcliff's obsession enables a trip the light fantastic with a corpse on the beach despite the West Yorkshire moors beingness landlocked (and therefore more than the laws of nature would permit):

This isn't the Wuthering Heights of Kate Bush-league—that little fanciful Wuthering Heights. The scene they always cutting out is the scene when Heathcliff digs up Catherine'due south torso and dances in the moonlight and on the beach with it. I think you can't get much more than operatic or passionate than that. I was trying to write a song about dead things coming to life. I was trying to write a vocal about existence enslaved and obsessed by honey, not but enchanted and happy with it. It was about the dark side of love; near the ability to exist resurrected by it... I just tried to put everything I could into it, and I'yard real proud of it.[7]

In some other interview, Steinman expands on his comments about the vocal being about the 'nighttime side of dear'.

It's about obsession, and that can be scary considering you're not in command and you don't know where it's going to stop. Information technology says that, at any point in somebody's life, when they loved somebody strongly enough and that person returns, a certain touch on, a certain concrete gesture tin turn them from beingness defiant and disgusted with this person to being subservient again. And it'south not just a pleasurable feeling that comes back, it's the complete terror and loss of control that comes back. And I think that's ultimately a great weapon.[2]

The website AllMusic chosen the song 'a tormented ballad about romantic loss and regret built on a chilling even so heart-wrenching piano tune'.[eight] The torment is present in the song's opening ('There were nights when the wind was so common cold'), from which the vocaliser recovers ('I finished crying in the instant that you left... And I banished every memory yous and I had ever made'). However, the defiance in the verses are replaced past the return of the 'subservient' feelings in the chorus ('when you touch me like this, and yous concord me like that...'); this juxtaposition continues throughout the song.

'There were those empty threats and hollow lies
'And whenever you tried to hurt me
'I merely injure yous even worse and and so much deeper.'

Eroticism is implied in the lines 'There were nights of endless pleasure' and 'The flesh and the fantasies: all coming dorsum to me'. The song ends with a passionate, quiet reprise of the chorus. Critics accept also identified Wagner, of whom Steinman was an gentleman, every bit an inspiration. Specifying this song, The Sunday Times said "the theme of Wagner'south opera Tristan and Isolde, with its farthermost passions and obsessive dear, informs all his best piece of work".[3]

A 2007 commodity in the Toronto Star claims that the song was written equally Steinman's "tryout" as lyricist for Andrew Lloyd Webber's Sunset Boulevard.[nine]

Pandora'due south Box [edit]

"It's All Coming Back to Me At present"
Its All Coming Back To Me Now - Pandora's Box.jpg
Unmarried by Pandora's Box
from the anthology Original Sin
B-side "I've Been Dreaming Upwardly a Tempest Lately"
Released 1989
Recorded 1989
Genre Soft stone
Length 8:22
Label Virgin
Songwriter(s) Jim Steinman
Producer(s) Jim Steinman
Pandora's Box singles chronology
"Information technology's All Coming Dorsum to Me Now"
(1989)
"Good Girls Go to Heaven (Bad Girls Get Everywhere)"
(1990)

In 1989, Steinman produced a concept anthology, Original Sin, with an all-female group chosen Pandora's Box. The anthology featured many tracks that would later be recorded by other artists, specially Meat Loaf. Elaine Caswell was the lead singer for "It's All Coming Back To Me Now", who plain collapsed five times during its recording.[6] Caswell has since performed the vocal as part of The Dream Engine at Joe'southward Pub in New York City.

For the track, Roy Bittan performed on the grand piano, with Steinman and Jeff Bova on keyboards. Guitars were past Eddie Martinez, with Steve Buslowe on bass guitar and Jimmy Bralower on drums. Todd Rundgren arranged the background vocals, which were performed by Ellen Foley, Gina Taylor, and Deliria Wilde.[10] The song was released as a single in the U.k. during October 1989, simply only reached No. 51 in the UK Singles Nautical chart.[xi] In its review of the album, Kerrang! magazine called the song 'excruciatingly operatic'.[12]

Ken Russell directed the video, which was filmed at Pinewood Studios in Buckinghamshire. Steinman wrote the script, based on Russell's "Nessun Dorma" segment in the compilation opera movie Aria.[13] [14] Scholar Joseph Lanza describes the video:

a adult female'south near-death experience [from a motorcycle crash] is set amid operatic excesses and black leather. In a simulated city engulfed by an apocalyptic blaze, British vocalizer Elaine Caswell sings and participates in a ritual to celebrate the song's "nights of sacred pleasance"... [The soundstage] is stocked with gravestones, motorcycles, python and dancers (allegedly from the London production of Cats), strapped in chaps, studded bras, and spiked codpieces.[xiv]

The girl, near death, is being ministered to by paramedics, fantasizing and being 'sexually aroused past a large python and writhing on a bed that lit upwardly in time with the music, while surrounded by a group of bemused, semi-naked dancers'.[15] When Steinman's director saw information technology, he responded 'It's a porno movie!'[thirteen] The ii-day shoot ran over schedule and budget, costing £35,000 an hour. Russell and Steinman even designed a sequence where a motorcyclist would cycle up the steps of a local church-belfry, jump out of the turrets at the peak, then explode; alas, the wardens of the church refused permission.[15]

The 7-inch, 12-inch, and CD singles featured Steven Margoshes'southward piano solo "Pray Lewd" (containing elements of "It's All Coming Back to Me Now"), Steinman'south monologue "I've Been Dreaming Upwards a Storm Lately", and "Requiem Metal", a sample from Verdi's Requiem Mass, all from the album Original Sin.[16]

Charts [edit]

Celine Dion [edit]

"It's All Coming Back to Me Now"
Its All Coming Back To Me Now - Celine Dion single cover.jpg
Single by Celine Dion
from the album Falling into You
B-side "The Ability of the Dream"
Released July 30, 1996 (1996-07-xxx)
Recorded 1995
Studio
  • The Hit Factory
  • (New York City, New York)
Genre
  • Pop
  • soft rock
Length 7:37
Characterization
  • Columbia
  • Ballsy
  • 550
Songwriter(s) Jim Steinman
Producer(s)
  • Jim Steinman
  • Steven Rinkoff
  • Roy Bittan
Celine Dion singles chronology
"J'irai où tu iras"
(1996)
"Information technology's All Coming Dorsum to Me Now"
(1996)
"The Ability of the Dream"
(1996)
Music video
"It's All Coming Dorsum to Me Now" on YouTube

"It's All Coming Back to Me Now" is the offset rail on Canadian singer Celine Dion's fourth English-language studio album, Falling into You (1996). Jim Steinman produced the rails, with Steven Rinkoff and Roy Bittan as co-producers. Bat Out of Hell and Meat Loaf collaborators Todd Rundgren, Eric Troyer, Rory Dodd, Glen Burtnick and Kasim Sulton provided backing vocals. It peaked at number two on Billboard Hot 100 for five weeks, becoming the thirty-fourth biggest number 2 Hot 100 hitting of all time.[18] The full-length version of the song is the version that appears on Falling into You and is seven minutes and thirty-seven seconds long. A radio edit of the song was made, which appears on all editions of Dion'southward beginning English-language greatest hits anthology, All the Way... A Decade of Song (1999), and lasts for five minutes and xxx-one seconds.

The song was also included on Dion's 2008 greatest hits compilation My Dearest: Essential Collection. Live performances can be found on the A New Solar day... Live in Las Vegas and Taking Chances Globe Tour: The Concert albums. Dion performed this song during her Falling Into You: Effectually the World tour 1996/1997, Let's Talk About Love World Tour 1998/1999, Taking Chances World Bout 2008/2009, two Las Vegas residencies, A new 24-hour interval... and Celine, Tournée Européenne 2013, Summertime Tour 2016,[nineteen] 2017 European bout and her 2018 tour. She performed the song during her British Summer Time concert in London'due south Hyde Park on 5 July 2019, and as well opened her 2019-2020 Courage Earth Tour show with the song.

Personnel [edit]

  • Roy Bittan - thou piano
  • Jeff Bova - keyboards, programming
  • Jimmy Bralower - drums, percussion
  • Steve Buslowe - bass
  • Tim Pierce - guitar
  • Eddie Martinez - additional guitars
  • Kenny Aronoff - boosted drums
  • Bashiri Johnson - boosted percussion
  • Todd Rundgren, Eric Troyer, Rory Dodd, Glen Burtnick, Kasim Sulton - groundwork vocals

Critical reception [edit]

Dion's version received widespread critical acclaim. AllMusic senior editor Stephen Thomas Erlewine marked it as a standout along with "Falling into You", and praised it: "Celine shines on mock epics like Jim Steinman's 'Information technology's All Coming Back to Me Now.'"[20] Shine Radio listed it at number 19 on their list of the Greatest Power Ballads of All Fourth dimension.[21]

A reviewer from the Calgary Lord's day stated, "[The song] is undoubtedly the highlight of her English-language recording career. Celine'southward over-the-acme vocals soar and swoop around Steinman's epic, ostentatious arrangement. Not surprisingly, everything else that follows... pales in comparison". Pip Ellwood-Hughes from Entertainment Focus chosen it "one of the finest songs the singer has ever recorded. It shows the power of her vox every bit well equally the subtle emotion she can display in the quieter moments. The song is nothing short of a rock opera and Dion is the perfect person to sing information technology."[22] Toronto'south Eye Weekly said Steinman'southward "fatal absenteeism from the last Meat Loaf record is finally justified here."[23] Dave Sholin from the Gavin Report stated that Steinman'south "dramatic writing mode melds perfectly with her powerful vocal, giving this production an incredibly passionate quality".[24] The Miami Herald said Dion "knocks a couple out of the ballpark... [the song] features 7 minutes of Wagnerian bombast, thunderclap piano chords and emoting that would wither an opera diva. Sure, it's over-the-top but it'due south passionate and musical".[23]

British mag Music Calendar week rated it four out of v, picking it as Single of the Week. The reviewer added, "Y'all don't need to be a musical genius to spot this melodramatic architect equally a Jim Steinman number and, while the overblown way isn't to everyone'south taste, this should exist huge."[25] Stephen Holden from The New York Times wrote, "The melodrama peaks with two overblown Jim Steinman productions: 'It's All Coming Back to Me Now', a romantic flashback replete with thunderclaps... "[26] People mag stated that literally, it "blasts off the CD with a booming pianoforte chord followed by seven minutes of Wagnerian melodrama, Dion'south crystalline soprano swelling and trembling with operatic abandon worthy of the Ring cycle'southward immolation scene."[27] Richmond Times-Acceleration picked it as one of the all-time tracks on the Falling into Y'all anthology.[28] Sun-Sentinel noted information technology as "lyrically and musically cute" and said that "this nearly eight-minute carol sets the pace for this album with Dion's emotional singing."[29] Christopher Smith from TalkAboutPopMusic called it "the biggest spectacle" of the album, and "a complete album in itself".[30]

Some other reviews were less enthusiastic. Afterwards labelling Celine "a Madonna-meets-Meat Loaf vocal freak", The Vancouver Lord's day described the song as "intensely self-indulgent, pompously cocky-important and mediocre across belief, the song just never ends". The Ottawa Lord's day chosen it 'turgid', while The Toronto Sun, coincidentally, said that it "sounds like a Meat Loaf pass up".[23]

According to The Sunday Times, Andrew Lloyd Webber told Steinman he thought this song was "the greatest love song ever written," and on hearing Dion's version reportedly said: "This will be the tape of the millennium".[three]

Music video [edit]

Nigel Dick directed the music video for Dion's version, with Simon Archer as cinematographer and Jaromir Svarc as fine art manager. It was shot between 29 June and 3 July 1996 in the Ploskovice summer palace of the Austrian Emperors and Barandov Studios, Prague, Czech Republic; information technology was later released in July 1996.[31] Castle Ploskovice in Ploskovice supplied the outside of the gothic mansion.[32] There are two versions of this music video; the full version (about seven:44 in length) and the unmarried version (virtually 6:00 in length). Both of them are included on Dion'due south 2001 DVD video collection All the Way... A Decade of Song & Video.

The video opens with a man being thrown off his motorcycle, after lightning strikes a tree down in his path - eventually killing him in the procedure. Dion's character is haunted past her lover'due south paradigm, which she sees through a mirror, and images of them together through picture frames. There are stylistic similarities to Russell Mulcahy's video for Steinman's "Full Eclipse of the Heart", to the extent that Camber Magazine calls Dick's video an update.[33] On 10 Jan 2020, the music video reached 100 million views on YouTube.

Rail listings and formats [edit]

  • Australian CD and cassette single
  1. "It's All Coming Back to Me Now" (Radio Edit) – five:27
  2. "To Love You More" – 5:29
  3. "Where Does My Eye Vanquish At present" (Live Version) – 5:30
  4. "Fly" – 2:58
  • Australian/United states of america CD single (Remixes)
  1. "Information technology'due south All Coming Dorsum to Me Now" (Classic Paradise Radio Mix #i) – 4:20
  2. "It'due south All Coming Back to Me Now" (Archetype Paradise Radio Mix #ii) – 3:47
  3. "Information technology's All Coming Back to Me Now" (The Moran Anthem seven" Edit) – four:20
  4. "Information technology's All Coming Dorsum to Me Now" (Classic Paradise Mix) – eight:12
  5. "It's All Coming Dorsum to Me Now" (The Moran Canticle Mix Pt. 1) – 10:32
  • Canadian/European/Usa CD and UK/US cassette single
  1. "Information technology's All Coming Dorsum to Me Now" (Radio Edit) – 5:27
  2. "The Ability of the Dream" – iv:31
  • European CD single
  1. "It's All Coming Back to Me At present" (Radio Edit) – 5:27
  2. "It'southward All Coming Back to Me Now" (Classic Paradise Mix) – four:22
  • European CD single
  1. "Information technology'due south All Coming Back to Me At present" (Radio Edit) – 5:27
  2. "The Power of the Dream" – 4:31
  3. "Fly" – 2:58
  4. "Where Does My Heart Beat At present" (Live Version) – 5:thirty
  • European/U.k. CD single (Love to Infinity mixes)
  1. "It'due south All Coming Back to Me At present" (Anthology Version) – seven:37
  2. "It's All Coming Dorsum to Me At present" (Classic Paradise Mix) – 8:17
  3. "It'due south All Coming Back to Me Now" (Prophet Mix) – vii:04
  4. "It's All Coming Dorsum to Me At present" (Aphrodisiac Mix) – 7:47
  5. "It's All Coming Dorsum to Me Now" (Amnesia Mix) – 7:33
  • UK CD unmarried
  1. "It'due south All Coming Back to Me At present" (Radio Edit) – v:27
  2. "Le fils de Superman" – 4:35
  3. "Fly" – ii:58
  4. "The Power of the Dream" – 4:31
  • The states 12-inch single
  1. "It's All Coming Back to Me Now" (Classic Paradise Mix) – eight:12
  2. "It'south All Coming Back to Me Now" (The Moran Breakdown Dub) – nine:22
  3. "It's All Coming Back to Me At present" (The Moran Canticle Mix Pt. 1) – 10:32
  4. "Information technology's All Coming Dorsum to Me Now" (Amnesia Mix) – 7:37
  • The states promo CD single
  1. "It'due south All Coming Back to Me Now" (Radio Edit 1) – five:27
  2. "It'due south All Coming Back to Me Now" (Radio Edit ii) – half dozen:03
  3. "Information technology's All Coming Dorsum to Me At present" (Album Version) – 7:42
  • US promo CD single
  1. "It's All Coming Back to Me At present" (Advanced Radio Edit) – v:24
  • US promo 2x12-inch single
  1. "Information technology's All Coming Back to Me Now" (Archetype Paradise Mix) – 8:12
  2. "Information technology'southward All Coming Back to Me Now" (Amnesia Mix) – vii:37
  3. "It'southward All Coming Back to Me Now" (The Moran Canticle Mix) – 14:38
  4. "Information technology'due south All Coming Back to Me Now" (The Moran Breakdown Dub) – 9:22
  5. "Information technology'due south All Coming Back to Me At present" (Prophet Mix) – 7:01
  6. "Information technology'southward All Coming Back to Me At present" (Aphrodisiac Mix) – vii:47
  7. "It's All Coming Back to Me At present" (The Moran Virtuous Dub) – 8:25

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Meat Loaf and Marion Raven [edit]

"It's All Coming Dorsum to Me Now"
Its All Coming Back To Me Now - Meat Loaf single cover.JPG
Unmarried by Meat Loaf featuring Marion Raven
from the album Bat Out of Hell III: The Monster Is Loose
B-side "Whore"
Released xvi October 2006 (2006-ten-sixteen)
Genre Rock
Length
  • 6:07 (album version)
  • 4:32 (single edit)
Characterization Mercury
Songwriter(s) Jim Steinman
Producer(s) Desmond Child
Meat Loaf singles chronology
"Man of Steel"
(2003)
"It's All Coming Dorsum to Me At present"
(2006)
"Cry Over Me"
(2007)
Marion Raven singles chronology
"Here I Am"
(2004)
"It's All Coming Back to Me Now"
(2006)
"Heads Will Scroll"
(2006)

In interviews, Meat Loaf has said that, in his heed, the song was always meant to be a duet.[five] [90] Information technology was recorded as a duet by Meat Loaf and Marion Raven for the album Bat Out of Hell III: The Monster Is Loose, produced by Desmond Kid. Raven had been working on her solo album with Child, and was called because the timbre of her voice starkly contrasts to Meat Loaf'south.[91] In promotional interviews, Meat Loaf said that "I believe that the version that Marion Raven and myself did on this anthology is the definitive version".[5]

Meat Loaf said that he was in tears when he first heard the song, which he stated is "the only time that's happened".[92] He has also said that the song could refer to Steinman and himself, with an array of emotions coming back every time they work together. Referring to lines similar 'when I kiss you similar that', he said that although "I honey Jim Steinman", he wouldn't French osculation him.[93]

To me it wasn't a vocal nearly romance, it was almost me and Jim Steinman. We'd had a load of problems with managers in the early '80s and of a sudden later on five years we started to communicate. After I'd been to his house, he sent me the song, and it was "It's All Coming Back To Me Now". Non the line 'When y'all buss me similar that', merely the emotional connection. It doesn't have to be literal.[92]

P. R. Brown directed this video,[94] which premiered on VH1 Classic on 8 Baronial 2006.[95] There are similarities betwixt the video for Meat Loaf's version of the song, and that the video for that of Celine Dion, with Meat Loaf beingness haunted by the memory of his lover. It is structured differently, nevertheless, with the story being told through flashback. Shots when Raven'southward character is alive take a singled-out yellow tint, with a darker, blue tint for those after her death. Whereas the motorcyclist dies before the first poesy in the Dion version, Raven'due south crash and resulting death is not shown until the terminal chorus. Meat Loaf becomes angry with Raven considering the ghost of Raven's sometime lover appears at a masquerade brawl they are attending (some reviewers have compared this to the Stanley Kubrick film Eyes Wide Shut).[96]

Meat Loaf's grapheme mourning that of Marion Raven, in the 2006 video directed by P. R. Brown.

This version of the vocal replaces the word 'nights' with 'lights', in the line 'There were nights of endless pleasance'. The ending of the unmarried version is different, concluding with an additional 'Nosotros forgive and forget and information technology's all coming dorsum to me at present'. The album version, following those recorded by Pandora's Box and Celine Dion, ends with Raven whispering 'And if we...', followed by four piano notes.

The track was available to download from iTunes in the United Kingdom in August 2006, two months before its Britain release on 16 Oct. The CD single includes the song "Black Betty", with the express-edition 7-inch vinyl featuring "Whore", a stone duet with Patti Russo; it was also released as a DVD single.[97] The album version was made available on Meat Loaf and Marion Raven's respective MySpace sites in August,[98] [99] with the single version being played during some of their promotional interviews, such every bit that on BBC Radio two.[4] The cover art is by Julie Bell, who is as well the artist for the album Bat out Of Hell III.[100]

The single entered the United kingdom Singles Nautical chart at No. 6 on 22 October 2006, giving Meat Loaf his highest position in the UK chart since "I'd Lie for You (And That's the Truth)" reached No. 2 in 1995, and was the last UK Peak 40 striking in his lifetime. The vocal also reached No. i in Raven'southward native Kingdom of norway, every bit well as No. 7 in Germany. Critical reaction was generally positive, with The Guardian saying that the song is "ostensibly a reflection on love, simply imbued with the effeminateness of aircraft carriers colliding at sea".[101]

Marion Raven joined Meat Loaf for his 2007 tour of Europe. She was the supporting act, promoting her album Ready Me Free. Meat Loaf introduced her again on stage at the latter stages of the concerts to duet on "It's All Coming Dorsum to Me Now".[102] A performance was recorded and released on DVD as 3 Bats Live.

Charts [edit]

Uses in pop civilization [edit]

Céline Dion'south version [edit]

  • Dion's version appears in a 2018 Television receiver commercial for Applebee'south.[116]
  • Dion's version appears in the return of National Football League in 2020, in which the pop diva was featured in a video that has gone viral promoting the NFL'south render, which features the players lipsyncing and belting along with the timeless hit.[117] [118]
  • Dion'south version appears on Extra Gum's commercial, titled "For When It'south Fourth dimension", made by BBDO and filmed in Santiago, Chile, in early March 2021.[119]

Other versions [edit]

  • This vocal features in Jim Steinman'south Bat Out of Hell: The Musical, in which the song is dissever into further parts and is performed past iv characters.
  • The Boob tube serial Glee featured a brusque cover of this song in the third-season episode "Nationals", in which it is performed past Lea Michele as Rachel Berry. A longer 5:22 infinitesimal version of Michele performing this vocal was released as a digital single in 2012.

Run into also [edit]

  • 1996 in British music
  • Billboard Year-Cease Hot 100 singles of 1996
  • Billboard Year-Cease Hot 100 singles of 1997
  • List of Billboard Mainstream Top 40 number-one songs of the 1990s
  • List of Billboard Hot 100 top 10 singles in 1996
  • List of Billboard Hot 100 top 10 singles in 1997
  • List of most expensive music videos
  • List of number-one adult contemporary singles of 1996 (U.S.)
  • List of number-one singles of 1996 (Canada)
  • List of number-one songs in Norway
  • List of United kingdom of great britain and northern ireland top ten singles in 1996
  • Listing of UK top 10 singles in 2006
  • Ultratop 50 number-ane hits of 1996

References [edit]

  1. ^ According to Meat Loaf as indicated in "this Reuters report (31 July 2006, accessed xi September 2006)". Archived from the original on x Oct 2007. Retrieved 1 June 2016. , it was written for the first album in the Bat Out of Hell trilogy, recorded by Meat Loaf.
  2. ^ a b c "Jim Steinman on "Information technology's All Coming Back to Me Now"". JimSteinman.com . Retrieved 4 September 2006.
  3. ^ a b c Brilliant, Spencer (8 December 1996). "Jim'll Fix It". The Sunday Times . Retrieved 9 July 2007.
  4. ^ a b c Meat Loaf (four August 2006). "Steve Wright in the Afternoon". Steve Wright in the Afternoon (Interview). Interviewed by Steve Wright. London: BBC Radio two.
  5. ^ a b c Othman, Zul (26 October 2006). "Man out of hell". Aqueduct NewsAsia. Archived from the original on 22 May 2008. Retrieved 26 October 2006.
  6. ^ a b "Pandora's Box Printing Kit" (Reprint on website) (Press release). Virgin Records. 1989. Retrieved iv September 2006.
  7. ^ Jim Steinman (1989). Jim Steinman Opens Pandora'south Box (DVD). Virgin Records.
  8. ^ Guarisco, Donald A. "Original Sin: Pandora'south Box review". AllMusic. Retrieved 29 March 2018.
  9. ^ Ouzounian, Richard (29 December 2007). "Whistle blower". thestar.com. Toronto. Retrieved 30 December 2007.
  10. ^ Murray, Richard. "It's all coming back to me at present". Rick'due south Globe . Retrieved 20 September 2006.
  11. ^ British Hit Singles, Guinness
  12. ^ Jeffries, Neil (1989). "Jim In A Box" (Reprint on website). Kerrang! . Retrieved four September 2006.
  13. ^ a b Simmons, Sylvie (1989). "Sex, Lies & Videotape" (Reprint on website). RAW magazine . Retrieved 4 September 2006.
  14. ^ a b Lanza, Joseph (2007). Phallic Frenzy: Ken Russell and His Films. Chicago Review Printing. p. 299. ISBN978-1-55652-669-5.
  15. ^ a b Hotten, Jon (September 2000). "Bat Out Of Hell - The Story Backside The Album" (Reprint on website). Classic Rock Mag . Retrieved iii September 2006.
  16. ^ "Pandora's Box Discography & Collectibles". JimSteinman.com . Retrieved three September 2006.
  17. ^ "Pandora's Box: Artist Nautical chart History". Official Charts Company. Retrieved 20 August 2016.
  18. ^ Anderson, Trevor (ii February 2022). "The Biggest No. two Hot 100 Hits of All Time". Billboard . Retrieved 3 February 2022.
  19. ^ "Celine Dion, bouleversée, lance sa tournée hommage à René (VIDÉOS)". Chartsinfrance.cyberspace.
  20. ^ "Falling Into You lot - Céline Dion - Songs, Reviews, Credits". AllMusic.
  21. ^ "xix of the greatest power ballads of all time". amp.smoothradio.com . Retrieved three May 2021.
  22. ^ Ellwood-Hughes, Pip (11 October 2018). "Celine Dion – Falling Into You vinyl review". Entertainment Focus. Retrieved 7 Apr 2020.
  23. ^ a b c All of these quotations from reviews are borrowed from "Hedonists & Heretics". JimSteinman.com . Retrieved twenty September 2006.
  24. ^ Sholin, Dave (26 July 1996). "Gavin Picks > Singles" (PDF). Gavin Report. No. 2115. p. 78. Retrieved 16 April 2018.
  25. ^ "Reviews: Singles" (PDF). Music Week. 14 September 1995. p. 26. Retrieved 5 September 2021.
  26. ^ Holden, Stephen (14 Apr 1996). "New Releases". The New York Times.
  27. ^ "Picks and Pans Review: Falling into You". People. 18 March 1996. Retrieved 15 November 2020.
  28. ^ "CELINE DION". Richmond Times-Acceleration. 3 May 1996. Retrieved 26 March 2020.
  29. ^ "DION Ameliorate THAN E'er IN `FALLING'". Sun-Lookout man. 27 September 1996. Retrieved 26 March 2020.
  30. ^ Smith, Christopher (two Nov 2019). "REVIEW: 'FALLING INTO YOU' – CELINE DION". TalkAboutPopMusic. Retrieved 7 April 2020.
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External links [edit]

  • Pandora'southward Box – "It's All Coming Dorsum to Me At present" on YouTube
  • Celine Dion – "It's All Coming Back to Me Now" (Long Version) on YouTube
  • Celine Dion – "It's All Coming Dorsum to Me Now" (Single Version) on YouTube

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Source: https://en.wikipedia.org/wiki/It%27s_All_Coming_Back_to_Me_Now

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